Santana vs The Supremes vs The Offspring

Cover art Pytski - Smooth in the Name of Self Esteem

Santana ft. Rob Thomas

Smooth


Year: 1999

Album: Supernatural

Genre: Latin rock, alternative rock

Cover art Santana - Supernatural

About Smooth

Released in 1999 on Carlos Santana’s Supernatural, “Smooth” was written by Rob Thomas of Matchbox Twenty and Itaal Shur. Santana’s career had been in a quiet period before Supernatural brought him back with extraordinary force — the album won Album of the Year at the Grammys, and “Smooth” won Record of the Year, Song of the Year and Best Pop Collaboration. It spent twelve weeks at #1 on the Billboard Hot 100. The combination of Santana’s unmistakeable guitar tone and Rob Thomas’s vocal was a pairing nobody had anticipated and everyone immediately accepted. The groove is so self-assured it barely needs to try.

The Supremes

Stop! In The Name Of Love

Year: 1969

Single: Stop! In The Name Of Love / I’m In Love Again

Genre: Pop, R&B, soul

Cover art The Supremes - Stop! In The Name Of Love

About Stop! In The Name Of Love

Released in February 1965, “Stop! In The Name Of Love” was written by the Holland-Dozier-Holland team — Lamont Dozier, Brian Holland and Eddie Holland — the songwriting engine behind Motown’s golden era. Diana Ross, Mary Wilson and Florence Ballard delivered one of the most iconic performances in pop history: that stop-hand gesture, that pleading vocal, that irresistible chorus. It reached #1 on the US Billboard Hot 100 and has remained part of the cultural furniture ever since. The song is a direct appeal to reason — stop, think, don’t throw this away. Spoiler: nobody ever listens.

The Offspring

Self Esteem

Year: 1994

Album: Smash

Genre: Punk rock, pop-punk, alternative rock

Cover art The Offspring - Smash

About Self Esteem

The Offspring’s “Self Esteem” appeared on Smash in 1994 — the best-selling independent album of all time, with over eleven million copies sold. Written by Dexter Holland, the song is one of pop-punk’s most quietly devastating: a guy who keeps letting someone back in despite knowing better, singing about it with the cheerful energy of someone who has fully given up on his own dignity. The na-na-na outro is one of the genre’s great earworms. It is a song about self-destruction dressed up as a singalong, which is exactly what makes it work.

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